Little is known about Marietta Robusti, the daughter of infamous artist Tintoretto. Only one self-portrait is attributed to her, but is the woman in the painting actually Marietta?
I am thrilled to share the next installment of my lecture series investigating Judith, Holofernes, Abra, and Artemisia Gentileschi.
In academic circles, a word that is inescapable when discussing Renaissance art is paragone. Paragone translated from Italian, generally means “comparison” and this theme of comparison was the backbone for much of the Italian Renaissance. Paragone was a major topic of debate during the early modern period, pitting artists, philosophers, and humanists against one anotherContinue reading “The Heart of Renaissance Art: ‘Paragone’”
Italian painter Sofonisba Anguissola has received significant scholarly attention for her vast array of self-portraits. As one of the earliest professional artists to create a significant number of portraits of herself, scholars have looked to her works as a way to understand how this remarkable young noblewoman created such a successful career for herself.Continue reading “Sofonisba Anguissola and the Ideal Female Courtier”
Sister Plautilla Nelli (1524-1588) was a self-taught artist and is often considered the first known woman artist of Florence. She was a nun in the Dominican convent of St. Catherine of Siena, where she was heavily influenced by the teachings of Dominican friar and avid preacher Savonarola. Savonarola advocated for devotional paintings and encouraged womanContinue reading “Reframing History: Sister Plautilla Nelli”
The Dukes of Burgundy had a long history of arts patronage that aided in shaping a powerful reputation for the dukedom. Flemish artists were brought to the court to create works for the members of the ducal family for generations and the influence of Flemish artists coming into France led to many artistic innovations. TheContinue reading “Pomp and Circumstance: The Book of Hours of Mary of Burgundy”
Chen Shu (1660-1735) was born into an elite family in Jiaxing, China and was the daughter of an artist. This allowed her to study painting as a young girl, despite the mixed feelings about women’s education at the time that kept only a few women of the elite from pursuing an education. Chen Shu studiedContinue reading “Reframing History: Chen Shu 陳書”
The legacies that shape the memory of notable historical figures are passed down through oral and written tradition. Through time and with the storyteller’s bias, these stories and legacies change to create specific memories that stay with the figure and become a part of accepted history. The question becomes how accurate are the legacies andContinue reading “Saint and Sinner: The Legacies of Two Byzantine Empresses”
Due to the COVID-19 pandemic, access to museums has been extremely limited. As museums reopen, we look forward to sharing our favorite exhibitions from around the Washington DC area and beyond. The National Museum of Women in the Arts recently opened their new exhibition, “Sonya Clark: Tatter, Bristle, and Mend.” This is the first fullContinue reading “Exhibition Visit: Sonya Clark: Tatter, Bristle, and Mend”
While every month is Women’s History Month at Renaissance Reframed, March is a month for us to contribute our voice to the celebration of Women’s History and reflect upon the important work of scholars, advocates, and organizations who have come before us. We proudly proclaim ourselves as “feminist art historians,” who have dedicated most ofContinue reading “Can You Name Five Great Women Artists?”