Luisa Ignacia Roldán (1652-1706) is the earliest documented woman sculptor in Spain, recognized by the Hispanic Society museum as “one of the few women artists to have maintained a studio outside the convents in Golden Age Spain.” She was the daughter of sculptor Pedro Roldán and studied in her father’s workshop alongside her siblings. AroundContinue reading “Reframing History: Luisa Roldán”
Learning about art history can be intimidating as it is, but add in the variety of terms borrowed from Italian or French and it can feel like a whole other language (literally!). The term ‘chiaroscuro’, translating to “light-dark,” comes from the Renaissance period when delicate modeling of figures, first in drawing, were created by firstContinue reading “Art History Basics: ‘Chiaroscuro’”
Elite women of sixteenth-century France took advantage of their positions to become influential art patrons and collectors. Catherine de’ Medici (1519-1589) was one such woman.
If you know me in person, you know I love Halloween, but I also love the spooky, the macabe, and the mysterious. In the lead up to Halloween, I’ve been thinking a lot about the spooky stuff of art history. Death, witches, ghosts, and the occult are only the beginning to some of the insanityContinue reading “Death and the Artist”
Anyone who has studied Renaissance art history can’t escape one name: Giorgio Vasari. Often described as a “father” of art history, Vasari is best known for his Lives of the Most Excellent Painters, Sculptors, and Architects. This text, a foundation text of art history, is also the keystone of much of our knowledge (and misinformation!)Continue reading “The Father of Art History: Giorgio Vasari”
The construction of religious spaces within a society has long served as an important part in establishing authority and creating a community. As the Muslims conquered Spain, they constructed mosques to mark their authority and rule over the country, creating a Muslim community center. As the Christians reclaimed Spain through the Reconquista throughout the 13thContinue reading “Behind the Mosque: The Appropriation of Mosques into Gothic Cathedrals in Reconquista Spain by Claire Sandberg”
Judith Leyster is the most discussed female painter from the Dutch Baroque period, her Self-Portrait considered one of Leyster’s most prominent works due to its technical skill and content. However, Leyster’s Self-Portrait was not always considered a self-portrait. Following Leyster’s death in 1660, the work was misattributed to Frans Hals for over three centuries untilContinue reading “Judith Leyster, A Great Woman Artist?: Leyster’s Self-Portrait (1630-33) and The Influence of Feminist Scholarship”
When I hear around an upcoming art exhibition, there are few words that get me as excited as “Medici” and “portraits” in the same sentence. The Medici family were the heart of the Italian Renaissance in Florence, serving as major patrons for the arts and supporting many of the most successful artists of the era.Continue reading “Exhibition: The Medici: Portraits and Politics, 1512-1570”
Previous scholarship on the portraits of Sofonisba Anguissola focused primarily on the way the artist depicted herself and the influence of her education on her portraits. Throughout the scholarship on Sofonisba, little attention has been given to one of the most important subjects of her early career; her family. Anguissola depicted her family on severalContinue reading “The Queen’s Game: Sofonisba Anguissola’s “The Chess Game””
Little is known about Marietta Robusti, the daughter of infamous artist Tintoretto. Only one self-portrait is attributed to her, but is the woman in the painting actually Marietta?