The construction of religious spaces within a society has long served as an important part in establishing authority and creating a community. As the Muslims conquered Spain, they constructed mosques to mark their authority and rule over the country, creating a Muslim community center. As the Christians reclaimed Spain through the Reconquista throughout the 13thContinue reading “Behind the Mosque: The Appropriation of Mosques into Gothic Cathedrals in Reconquista Spain by Claire Sandberg”
Judith Leyster is the most discussed female painter from the Dutch Baroque period, her Self-Portrait considered one of Leyster’s most prominent works due to its technical skill and content. However, Leyster’s Self-Portrait was not always considered a self-portrait. Following Leyster’s death in 1660, the work was misattributed to Frans Hals for over three centuries untilContinue reading “Judith Leyster, A Great Woman Artist?: Leyster’s Self-Portrait (1630-33) and The Influence of Feminist Scholarship”
When I hear around an upcoming art exhibition, there are few words that get me as excited as “Medici” and “portraits” in the same sentence. The Medici family were the heart of the Italian Renaissance in Florence, serving as major patrons for the arts and supporting many of the most successful artists of the era.Continue reading “Exhibition: The Medici: Portraits and Politics, 1512-1570”
Previous scholarship on the portraits of Sofonisba Anguissola focused primarily on the way the artist depicted herself and the influence of her education on her portraits. Throughout the scholarship on Sofonisba, little attention has been given to one of the most important subjects of her early career; her family. Anguissola depicted her family on severalContinue reading “The Queen’s Game: Sofonisba Anguissola’s “The Chess Game””
Little is known about Marietta Robusti, the daughter of infamous artist Tintoretto. Only one self-portrait is attributed to her, but is the woman in the painting actually Marietta?
In academic circles, a word that is inescapable when discussing Renaissance art is paragone. Paragone translated from Italian, generally means “comparison” and this theme of comparison was the backbone for much of the Italian Renaissance. Paragone was a major topic of debate during the early modern period, pitting artists, philosophers, and humanists against one anotherContinue reading “The Heart of Renaissance Art: ‘Paragone’”
I don’t think there is anyone out there who wouldn’t admit that 2020 hit all of us hard, in one way or another. It was a year that saw a global pandemic, protests, police violence, and so much more. While both of us are beyond glad that the difficult year over, we are also bothContinue reading “New Year’s Gratitude from Renaissance Reframed”
Sofonisba Anguissola was an Italian Renaissance painter born to minor nobility in Cremona, Italy. She was the eldest of seven; six sisters and one brother. Her father, Amilcare, insured his children received a proper education in the humanities and fine arts and he arranged for Sofonisba and her sister, Elena, to study with Bernardino Campi,Continue reading “Reframing History: Sofonisba Anguissola”