Self-Portrait of Marie Bashkirtseff I recently started reading Jennifer Higgie’s “The Mirror and the Palette” which examines self-portraiture by women artists over the last 500 years. While reading the book, I came across an artist that I was completely unfamiliar with but for a brief period of time was considered one of the most famousContinue reading “Reframing History: Marie Bashkirtseff”
When discussing female artists who rejected traditional gender norms, many art historians reference Rosa Bonheur, but before Bonheaur was the so-called “Sappho of Sculpture” Anne Seymour Damer (1748-1828). Damer was an English sculptor, described by English writer, art historian, and politician (and her god-father) Horace Walpole as a “female genius.” In addition to sculpting, sheContinue reading “Reframing History: Anne Seymour Damer, the “Sappho of Sculpture””
Anne Vallayer-Coster was born near Paris in 1744 to a goldsmith and tapestry designer of the royal family. Like many women artists in the 18th century, she trained under her father but also gained some training from botanical specialist Madeleine Basseport and marine painter Joseph Vernet. While she had training, without proper support, she wasContinue reading “Reframing History: Anne Vallayer-Coster”
The first African American and Native American sculptor to archive international acclaim, Mary Edmonia Lewis was born in New York in 1844. Born to a mother of Mississauga Ojibwe and African-American descent, Lewis was surrounded by Indigenous artisans and sold Ojibwe items to tourists visiting Niagara Falls and the surrounding area. By the time sheContinue reading “Reframing History: Edmonia Lewis”
Luisa Ignacia Roldán (1652-1706) is the earliest documented woman sculptor in Spain, recognized by the Hispanic Society museum as “one of the few women artists to have maintained a studio outside the convents in Golden Age Spain.” She was the daughter of sculptor Pedro Roldán and studied in her father’s workshop alongside her siblings. AroundContinue reading “Reframing History: Luisa Roldán”
Judith Leyster is the most discussed female painter from the Dutch Baroque period, her Self-Portrait considered one of Leyster’s most prominent works due to its technical skill and content. However, Leyster’s Self-Portrait was not always considered a self-portrait. Following Leyster’s death in 1660, the work was misattributed to Frans Hals for over three centuries untilContinue reading “Judith Leyster, A Great Woman Artist?: Leyster’s Self-Portrait (1630-33) and The Influence of Feminist Scholarship”
Little is known about Marietta Robusti, the daughter of infamous artist Tintoretto. Only one self-portrait is attributed to her, but is the woman in the painting actually Marietta?
I am thrilled to share the next installment of my lecture series investigating Judith, Holofernes, Abra, and Artemisia Gentileschi.
This lecture is part of a series I did about Judith and Holofernes, Judith and Abra, and finally Artemisia Gentileschi and Judith (among other women).
Chen Shu (1660-1735) was born into an elite family in Jiaxing, China and was the daughter of an artist. This allowed her to study painting as a young girl, despite the mixed feelings about women’s education at the time that kept only a few women of the elite from pursuing an education. Chen Shu studiedContinue reading “Reframing History: Chen Shu 陳書”