If you know me in person, you know I love Halloween, but I also love the spooky, the macabe, and the mysterious. In the lead up to Halloween, I’ve been thinking a lot about the spooky stuff of art history. Death, witches, ghosts, and the occult are only the beginning to some of the insanityContinue reading “Death and the Artist”
Anyone who has studied Renaissance art history can’t escape one name: Giorgio Vasari. Often described as a “father” of art history, Vasari is best known for his Lives of the Most Excellent Painters, Sculptors, and Architects. This text, a foundation text of art history, is also the keystone of much of our knowledge (and misinformation!)Continue reading “The Father of Art History: Giorgio Vasari”
Last week, I was fortunate enough to see the new Costume Institute exhibition at the Met, In America: A Lexicon of Fashion during a members only preview and I have some THOUGHTS. As you probably already know, the Metropolitan Museum of Art has a yearly exhibition curated by the Costume Institute and Vogue magazine centeredContinue reading “Exhibition Visit: “In America – A Lexicon of Fashion””
In the wake of a difficult year for museums around the world along with numerous stories of toxic work environments at major museums, museum workers are coming together to advocate for their rights as workers. Over the past year, three major US museums have seen a push for worker unionization; the Guggenheim, the Whitney, andContinue reading “Museum Workers Unite!”
This is the continuation of The Rejection of a Masterpiece Part 1. You should definitely go and read that first if you want to understand what I’m talking about!
The construction of religious spaces within a society has long served as an important part in establishing authority and creating a community. As the Muslims conquered Spain, they constructed mosques to mark their authority and rule over the country, creating a Muslim community center. As the Christians reclaimed Spain through the Reconquista throughout the 13thContinue reading “Behind the Mosque: The Appropriation of Mosques into Gothic Cathedrals in Reconquista Spain by Claire Sandberg”
Judith Leyster is the most discussed female painter from the Dutch Baroque period, her Self-Portrait considered one of Leyster’s most prominent works due to its technical skill and content. However, Leyster’s Self-Portrait was not always considered a self-portrait. Following Leyster’s death in 1660, the work was misattributed to Frans Hals for over three centuries untilContinue reading “Judith Leyster, A Great Woman Artist?: Leyster’s Self-Portrait (1630-33) and The Influence of Feminist Scholarship”
When I hear around an upcoming art exhibition, there are few words that get me as excited as “Medici” and “portraits” in the same sentence. The Medici family were the heart of the Italian Renaissance in Florence, serving as major patrons for the arts and supporting many of the most successful artists of the era.Continue reading “Exhibition: The Medici: Portraits and Politics, 1512-1570”
This is part 1 of a two part discussion on Fragonard’s “Progress of Love.” I loved writing and researching this paper even though it is not a Renaissance work. I hope you guys enjoy it too! – Taylor
For my most recent Zoom lecture, I decided to talk about a super interesting and complicated topic…Nazi art theft and the Monuments Men.