The construction of religious spaces within a society has long served as an important part in establishing authority and creating a community. As the Muslims conquered Spain, they constructed mosques to mark their authority and rule over the country, creating a Muslim community center. As the Christians reclaimed Spain through the Reconquista throughout the 13thContinue reading “Behind the Mosque: The Appropriation of Mosques into Gothic Cathedrals in Reconquista Spain by Claire Sandberg”
Judith Leyster is the most discussed female painter from the Dutch Baroque period, her Self-Portrait considered one of Leyster’s most prominent works due to its technical skill and content. However, Leyster’s Self-Portrait was not always considered a self-portrait. Following Leyster’s death in 1660, the work was misattributed to Frans Hals for over three centuries untilContinue reading “Judith Leyster, A Great Woman Artist?: Leyster’s Self-Portrait (1630-33) and The Influence of Feminist Scholarship”
When I hear around an upcoming art exhibition, there are few words that get me as excited as “Medici” and “portraits” in the same sentence. The Medici family were the heart of the Italian Renaissance in Florence, serving as major patrons for the arts and supporting many of the most successful artists of the era.Continue reading “Exhibition: The Medici: Portraits and Politics, 1512-1570”
This is part 1 of a two part discussion on Fragonard’s “Progress of Love.” I loved writing and researching this paper even though it is not a Renaissance work. I hope you guys enjoy it too! – Taylor
For my most recent Zoom lecture, I decided to talk about a super interesting and complicated topic…Nazi art theft and the Monuments Men.
Museums have secured a place in contemporary society as a space for the general public to educate and reflect, but in recent years museums have struggled with their role as an authority in a postmodern world. Exhibitions aiming to challenge this authority have grown in popularity, but the introduction of postmodern themes in the museumContinue reading “The Wrong Place at the Wrong Time: The Failure of the Royal Ontario Museum’s “Into the Heart of Africa””
Little is known about Marietta Robusti, the daughter of infamous artist Tintoretto. Only one self-portrait is attributed to her, but is the woman in the painting actually Marietta?
In academic circles, a word that is inescapable when discussing Renaissance art is paragone. Paragone translated from Italian, generally means “comparison” and this theme of comparison was the backbone for much of the Italian Renaissance. Paragone was a major topic of debate during the early modern period, pitting artists, philosophers, and humanists against one anotherContinue reading “The Heart of Renaissance Art: ‘Paragone’”
Sister Plautilla Nelli (1524-1588) was a self-taught artist and is often considered the first known woman artist of Florence. She was a nun in the Dominican convent of St. Catherine of Siena, where she was heavily influenced by the teachings of Dominican friar and avid preacher Savonarola. Savonarola advocated for devotional paintings and encouraged womanContinue reading “Reframing History: Sister Plautilla Nelli”
The legacies that shape the memory of notable historical figures are passed down through oral and written tradition. Through time and with the storyteller’s bias, these stories and legacies change to create specific memories that stay with the figure and become a part of accepted history. The question becomes how accurate are the legacies andContinue reading “Saint and Sinner: The Legacies of Two Byzantine Empresses”